Colour 101.2

Hand-to-god...true story.

Part two of three.

* * *

Colour 101.2

My high school art teacher was eccentric. That's a nice way of saying he was a lunatic.

I'm not being disrespectful. I adored him. As did most of his students. We still do. I think all artists should be a little crazy. Perhaps not to the extreme of hacking off your ear and mailing it to a hooker, but a little looney is good.

Mr. Blaise would wander around the classroom, winding his way around desks and students. He'd stop by my easel and exclaim, in his lisp: “The trees, the trees…they speak to me!”

It didn’t surprise me that he’d get a woody, as it were, over the trees. He was, after all, a crazy artist. I didn’t think much of it at the time.

But after discovering, quite by accident, that I am colour blind, I pulled out my high school art portfolio, and sifted through some old paintings. It was clear why Mr. Blaise was so excited about my work.

All my trees were painted varying shades of blue.

Turns out, I've been doing this since I was a kid. All the trees in my colouring books: blue. All the trees finger painted (wearing one of my dad's old work shirts as a smock) in Mrs. Van Dyke's Grade One class: blue.

I was stunned. Why hadn't anyone said anything?

I asked my mother why she and my dad didn't tell me I was colouring all my trees blue.

She gave me an absent pat on the head.

"We thought you were just being creative, dear."

Colour 101.1

Hand-to-god...true story.

Part one of three.

* * *

Colour 101.1

In the waiting room of my doctor's office, I flip through a magazine.

He's running late. I'm running bored.

I turn to an article about colour blindness. It details the various degrees and facets of colour blindness, pointing out the different colours affected.

Hmmm. Interesting.

Imagine, I wonder, going through life, not seeing what everyone else sees. I am at once filled with sorrow for these pathetic people. How sad, I think.

The article closes with an Ishihara color test—a number, comprised of a series of coloured dots, embedded within a background of more coloured dots.

“If you can distinguish the number nine in the dots,” the article explains, “you have normal colour vision and are not colour blind.”

I scan the picture. Then I take a closer look. I analyze. Take an even closer look.

“What are they talking about?” I'm confused. “There’s no number nine.”

I pause. I reread the explanation; particularly the bit about seeing and not seing the number.

“Oh."

I read it again. I digest that.

"Oh shit."

Pit Stop

Today's muse: Three Word Wednesday

Today's words: edgy, iconic, lithe.

* * *

Sam wants to keep going, put a few more miles behind him, but guilt has won the battle.

Stupid Catholic upbringing.

His friends had told him about this place. It’s iconic, they’d said, you have to stop and stay a night, have a pint for us.

Shit.

After checking in, leaving his bags in his room, Sam finds the pub on the main floor. This better be worth it, he thinks, as he settles at the bar.

“What can I get you?”

He’s pulled into smokey eyes and pouty lips painted a luscious Fuck-Me red. His gaze dips down to the low vee of a black halter, then back up. His brain sizzles and he says the first thing that comes to mind.

“It’s my birthday.”

The bartender smiles, tucks wavy auburn hair behind her ear. “Well, then it’s on the house. What’s your pleasure?”

Oh, he can think of several things right now. None of them are on tap.

“Guinness.”

She winks her approval, walks to the end of the bar to build his pint, hips swaying in invitation. He grins his appreciation, swivels to watch the band rocking it on stage. Bass pumps out of the speakers, edgy and raw, as bodies bump and grind against each other on the dance floor.

Red pushes a pint into his hand, brushes her fingers against his, flashes him an I-will-if-you-will smile before sashaying away.

Okay. Maybe this will be worth it.

He nurses his beer while she tends the bar. They flirt, each innuendo more implicit than the last, until they’re no longer exchanging suggestions but rather detailed descriptions of what each will do to the other.

“I have a room upstairs,” says Sam. “What time does your shift end?”

She calls over to one of the servers, unties her apron. “Hey, Andrea, cover for me.” She turns to him, flicks her head. “I’m on break.”

Sam fumbles with the key to his room, pushes the door open, kicks it shut behind him. Hungry, eager, they tear at each other’s clothes, claw and bite. Each mutters promises neither understand as they fall onto the bed.

His hands and mouth roam, search, tease, until her long, lithe body bucks beneath his while she chants his name and he pours into her.

Sam shifts so that she’s splayed on top of him.

“Sam,” she whispers. “I have to go.”

He groans, runs a calloused hand across her back. “Stay.”

She presses a kiss against his throat before rolling off. “I can’t.”

Naked, she walks around the room, gathering her clothes. After running a brush through her hair, she dresses, then leans over and presses a kiss on his mouth, leans in when he pushes his tongue between her lips. His hand slides under her skirt, cups her ass.

“Sam,” she groans against him. “I really have to go.”

She smooths her skirt, adjusts her halter, walks across the room and opens the door.

“Wait.”

She turns.

“You didn’t give me your name.”

She smiles. “Happy Birthday, Sam,” she says, as she closes the door.